Skip to main content

Another Good Reason For Travel:


In this industry, if that's indeed the proper terminology, there are tons of highs and lows. There's your first art sale; there's your first show rejection. There's your first international art exhibition; there's that first time someone steals your concept, then excepts your admiration. Then there's that first invitation. Whatever your take, I'm sure most can see ways to relate the arts to the Rockies: vast, beautiful, treacherous and oftentimes overwhelming. We're talking mountains here.

So why be part a part of this mountainous machine some call the art world? When considering this question personally, two things come to mind: What the h___ else would I do? ...and... The moments; those golden moments that can only be achieved by following one's soul are often worth it.


Pause:
Officially, consider this a two part blog-post as I thought I'd be jotting "Detroit this, shipping container Detroit that by now." In all honesty though, I'm still reflecting on that part of our adventure. Therefore, we'll fast forward to Chicago, which happened to be the second leg of our Shipping Container Research Adventure ...and oh, the traffic ...and oh the "liquor-zombies" trapped roaming the streets trying to recover from their good times at Lollapalooza (sorry no pics of that).

Un-Pause..

As we arrived at Advantage Structures, the midwest's premier shipping container modification company, it was clear we had found the right place. The bad news that greeted us was that our contact had to run off on an emergency just prior. Still, as our main purpose of the visit was to drop off a repurposed fire door from Building Value and check out the 8+ acre facility of our builder, our spirits remained high.


As Sam toured us around, we realized she wasn't any ordinary tour guide. She thoroughly explained the company's capabilities. Using examples, she gave us ideas which will ultimately make our construction plans much easier to develop alongside Advantage Structures. She even highlighted a fairly exclusive "moving truck" that had just finished loading one of their many 40' containers. "That one's filled with edited for protection and off to the movie set of sorry can't tell," she noted before we returned to the work area.


There, currently under construction, we found a number of shipping containers enjoying the addition of windows, doors, extra supports, skylights and much much more. Teams installed interior walls while others manned torches and professional-grade fabrication equipment. We dipped, doddled, poked and poddled, all while being consumed by yet another high moment. This was it, we had found the group we'd been searching for. Another bright spot in the struggles of an "art life" was born.


SOooo, why all this mention of shipping containers? If unaware, you can click HERE to learn more about the project we're currently crowd-funding, Makers Mobile. Or if you're already interested in this notion and/or already ready to make your donation dollars double, with Power2Give and our genourous support from Artworks Cincinnati and The Johnson Foundation, link to and share http://bit.ly/mamo2013 ...to get that warm fuzzy feeling inside.

#MakersMobile 2013 - by PAR-Projects

Also:
Find Advantage Structures online at: http://www.advantagestructuresllc.com/


Thanks again for tuning in,
Jonathan

Comments

Popular posts from this blog

PAR-Projects completes first $500K round of fundraising. Alisha Budkie joins Team PAR- to help launch Round 2.

  If you Blinked too hard you may have missed it. With the help of organizations like ArtsWave, Greater Cincinnati Foundation, and The Carol Ann & Ralph V. Haile, Jr. Foundation, both civic and cultural leaders are creating powerhouse experiences. Our town's symphony is thriving. Our major museums are producing nationally recognized exhibitions. Even our ballet and playhouses are making headlines. Cincinnati is doing BIG things! Then there's us. Over at PAR-Projects, we don't make much noise. Why not?...  Well... until now, we were still waiting our turn in line. There's a whole lot of fast action clutter out there. But in the same breath, there's a lot of fizzling out as well. Because of the latter, our goals have simply been to keep our head down, keep working, and be the best we can be. The cool thing is we've never changed our mission and we've always held ourselves to the highest of standards — press or no press. We too have BIG things to accomplish

Behind the Art - Elena Masrour

Elena Masrour was born on May 5, 1990 in Tehran, Iran. She received her BFA in Fabric & Textile Design from Tehran University of Art in 2013 and received her Master of Fine Arts in Painting from Kansas State University in 2022. She currently lives and works in Cleveland, Ohio where she is a visiting faculty-in-residence at the Cleveland Institute of Art.   Masrour was interested in art from a young age, especially as a legacy artist. She recalls being ten years old and attempting to copy a self-portrait her grandfather completed, to her grandfather’s great amusement. In high school, she was afforded the opportunity to take several elective drawing classes and soon realized that artist was to be her path in life. At Tehran University of Art, Masrour initially studied fashion design. However, she encountered great difficulties in the field, finding few real opportunities for creative enterprise due to the strict dress code enforced by the Irian government. She recalls a experience in

What's in a Photo? A candid interview with Raymond Thompson, Jr. (part 1)

What's in a photo? As the old saying goes, ‘a picture is worth a thousand words.’  This is still true in today’s galleries as artists work to maintain the delicate balance between self, story, and subject as they attempt to share untold stories and perspectives with the world. I had the wonderful opportunity to interview Raymond Thompson, Jr., an artist disguised as a photojournalist, whose project “Appalachian Ghosts” is on display in the Gallery @Studeo-PAR through July 2022. We chatted candidly about how he sojourns this path using his background in journalism to root his work creating subjective archives of the Black experience in American history. On his journey to photojournalism: “When I started school I wanted to be a biologist… something practical… so I stumbled through trying to find something super practical.  But Northern Virginia Community College had a photography class.  So I started taking those darkroom classes and it was like ‘ooh this is cool.’ I fell in love wit